Showing posts with label orson scott card. Show all posts
Showing posts with label orson scott card. Show all posts

Tuesday, March 12, 2013

Reader Responses To Orson Scott Card

Reader Response
When I wrote about the Orson Scott Card controversy with DC Comics last week here on Rivera Runs Through It, I had one question on my mind: "Should an author's philosophy keep me from reading his/her work?" I finished the post still undecided, still lost as to what I should do. However, in the time since its publication, that post has yielded a number of very valuable responses from all across the Internet. Since not all of the responses found their way to the comments section of this blog, I thought I'd share them here for you.

Andrea Says This Is More Than A Philosophy

Andrea Brokaw, YA author of Pride, Prejudice, and Curling Rocks and I'd Rather Not Be Dead had the following to say about Card's beliefs and her response to them on Google+:

Andrea's argument was echoed in an Op-Ed piece by Wayne Rée posted today on The Comics Observer in a post entitled Hate Is Not A Belief.
Becca Warns Against Squashing Our Own Freedoms

Becca Nark, one half of the genius behind Good Girls Gone Geek and a contributing writer for Word of The Nerd had the following to say on Facebook:
Orson Scott Card FB response
As I told Becca on Facebook, I completely agree with her thoughts, our freedom of speech is nothing to trifle with. On the other hand, personally funding the actions that support that speech is what - until now - I held an issue with. I thanked her for her brilliant suggestion about supporting used bookstores which allows us to enjoy the art without supporting the artist's actions that may conflict with your own!

JP Offers Neil Gaiman's Response

JPNelluc on Twitter was kind enough to share a post by Neil Gaiman where he reponds to the following question all the way back in 2006:

If you really enjoy an author's stories and then you find out the author (not you) is a jerk or believes in some fairly wretched things would you keep reading this author's works?
This is, by far, my favorite response to my post thus far as it begins with one thought that triggered me to ask the question in the first place:
If I were only allowed to read or enjoy art or listen to music made by people whose opinions and beliefs were the same as mine, I think the world would be a pretty dismal sort of a place.
And it ends off with the very intriguing, and heart-breaking, flip-flop scenario:
I've met people -- writers and artists -- over the years who I liked immediately, with whom I found myself agreeing on everything to do with art and aesthetics so closely that we might have shared the same head, people whose world-views were pretty much mine, whom I'd talk with far into the night and whom I parted from excited that I'd met them, looking forward to nothing more than reading their writing or looking at their art... and then I would find what they had done, and, at least as far as my taste was concerned, the books would be uninteresting, the drawings ugly or clumsy.
To read Neil's entire response (I didn't want to copy and paste the whole thing here, that felt sort of like plagiarism) check out Neil Gaiman's Journal.

My Conclusion

At this point I think I am going to take Becca's advice and continue to enjoy the works of Orson Scott Card via used book stores. My reasoning? Simple - I agree with both Andrea and Neil. I think Orson Scott Card is a bit of a "lunatic" and I also believe the world would be "a pretty dismal sort of place"if I only enjoyed the art of those who agree with me. 
What are your thoughts?
Do these comments sway you one way or the other?
Do you have more to add?
Thanks for reading!

 

Thursday, March 7, 2013

Should An Author's Philosophy Keep You From Reading?

What's a girl to do? Years ago I was introduced to an author I had never heard of before by a group of students. We got into a discussion of favorite reads and they were flabbergasted that I had not read nor heard of Orson Scott Card's Ender's Game. While I didn't run right out to the bookstore to pick up my very own copy, the name stuck in the back of my head and, after months of student torment, my husband and I decided to dive in.

We loved the book. We've been looking forward to this year's movie adaptation of the story. We continued reading Card's works; my husband has even found a short story of his that he wants to use in his teaching. We never stopped to explore Orson Scott Card, the man.

About a year ago I found my first clue that there was something to know. I read a comment from someone online declaring that they would not read Ender's Game on principle. They did not want to support a man such as Orson Scott Card. I brought this to the attention of my husband. We both found it curious, but felt there wasn't too much we could do about it since we already read/purchased his books without knowing. Last night, spurred on by the recent The Adventures of Superman reboot controversy, we had a long talk about it.

What's The Issue?

In a Salon.com article discussing the recent media attention around DC's decision to bring Orson Scott Card on as a writer in its new Superman reboot, it was explained as follows:
The “Ender’s Game” author is a current board member of the right-wing National Organization for Marriage and has a long personal history of anti-gay remarks. In a 2012 editorial for the Mormon Times, Card argued that “marriage has only one definition, and any government that attempts to change it is my mortal enemy. I will act to destroy that government and bring it down.” In a 1990 opinion piece for Sunstone magazine, Card wrote that laws criminalizing homosexuality should stay on the books “to be used when necessary to send a clear message that those who flagrantly violate society’s regulation of sexual behavior cannot be permitted to remain as acceptable, equal citizens within that society.” 
I couldn't disagree with this man more. In fact, I find his remarks offensive and, quite frankly, a bit scary. Orson Scott Card and I would get into a number of heated, emotional debates if we were ever to sit down and have a cup of coffee. I can fully understand why people would elect not to read any of his stuff or support him in any way based on these beliefs. However, in the stories of his that I read, none of these beliefs were evident. His writing (at least fiction writing) did not appear to preach in any way to the audience it was intended for - which, based on how vocal he is about these beliefs everywhere else, is quite surprising.

My Conundrum

My husband and I genuinely enjoy Card's fiction writing.   I don't think I would be speaking out of turn if I said Card has become one of my husband's favorite authors over the years. However, we, like many others, disagree with his personal beliefs. Is this enough to stay our hand when another of his works is published? Should it be enough?

For years I wrote on my blog Searching for Sustenance about the power of the dollar, about how we, as consumers vote with our purchases every day. We tell the world what we believe in by carefully selecting where we spend our money. It is a philosophy I believe in living in this capitalist society. I have never found a place where I have come to second guess it until now. Does this still work in the arts?

Voting With My Dollar

In terms of food, I spend my money on organics, non-GMO, and certified humane foods because I want the industry to know these are the things I value in my food products. In electronics and  appliances, I look to purchase those items that consume the least amount of energy. In energy distribution I look for the providers that use a greater proportion of renewable energy sources. All of these choices are made with my thinking about the product(s) I receive. However, they also speak to the philosophy of the companies that provide them.

What does one do in the case of the arts, when the product could easily be separate from the producer? I set out to spend my money on a creation I appreciate. I want to show the world that this is the type of thing I would like to entertain myself with. Yet, to do so, I must hand over my money to a producer who may use that money to fund an assault against my personal belief system. This person may use my money to battle ME!

Final Thoughts

I am at a crossroads. I'm not sure what my answer is so far except to say I am still looking forward to the movie adaptation of Ender's Game. I believe I will go see it when it is released, but I am suddenly thinking twice about something that was a given for a long time. I need more time with this.

Finally, I am left in a quandary over how I think DC should handle this entire situation. They have safely separated themselves from Card's belief system in their statement to The Advocate when initially addressing the controversy back in February:
“As content creators we steadfastly support freedom of expression, however the personal views of individuals associated with DC Comics are just that — personal views — and not those of the company itself.”
 Right now the project has been delayed since the artist hired to work with Card, Chris Sprouse, announced he would be leaving the project. Is this the final straw for DC to push Card out? I understand that they have to make a decision based on how much money they will pull in from their books, so, if they let Card go based on the belief that having him write the story will be controversial enough to decrease sales (or halt production completely), then that makes sense. On the other hand, if they let him go solely because of his beliefs, isn't that a form of discrimination itself?

What are your thoughts about this?
Should DC put their full support behind Orson Scott Card?
Would you halt purchasing an artist's works if their personal philosophies conflict with your own?

Thanks for reading!
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UPDATE:
My husband found a fantastic published on Salon.com today entitled What happened to Orson Scott Card? written by Steven Llyod Wilson, an Ender's Game fan. This excerpt is my favorite:
There are some in the comics world who are really angry about the events, arguing that this is an instance of judging the artist instead of his art. Of not letting a gifted storyteller tell a story because of people disliking his politics. If the story he wrote for Superman has nothing to do with gays, then what does it matter, the argument goes. The problem is that there is no separation of the artist from the art. And when that art in question is a figure of the cultural significance of Superman, the choice of who gets to put words in that mouth is about more than a literal reading of whatever script he turned in. How do you reconcile the symbol of truth, justice, and the American way being written by someone who loudly proclaims a violent revolution to topple American democracy if the majority doesn’t agree with his opinions?
Check out the rest of the article for Llyod's appraisal of where some of Card's politics may have been evident in his most famous work.
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 Here are three responses to this post from around the Internet.